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trAced Links: Art & Multimedia

 

If you encounter any broken links in these pages or would like to add a website for consideration, please contact helen.whitehead@ntu.ac.uk and mention trAced in your subject line. This page last updated February 2001.

Hypertext can now be found here

The 2nd trAce/AltX New Media Writing Competition 2000
Probably some of the best new media work on the Web: The Winner was
Lexia to Perplexia, by Talan Memmott.
Also worth reading, the works on The Shortlist

The 1st trAce/AltX Hypertext Competition 1998
won by
Rice, by Jenny Weight.
and The Unknown, by William Gillespie, Scott Rettberg, Dirk Stratton and Frank Marquardt.
There were some excellent works, again, on the Shortlist

Visual Thesaurus
A moving, pulsating, connecting visual thesaurus by Plumbdesign. Very beautiful!

The 12-hour ISBN JPEG Project
Apparently, this project started on December 30, 1994. In essence it consists of Brad Brace's "hypermodern imagery" being posted every 12 hours. Why? "The hypermodern minimises the familiar, the known, the recognisable; it suspends identity, relations and history. This discourse, far from determining the locus in which it speaks, is avoiding the ground on which it could find support. It is trying to operate a decentring that leaves no privilege to any centre." Heavy stuff. If you think it's pointless - that's the point. Some people just like looking at the pictures. 

53 Degrees
Guest access is allowed on this specialist portal site dedicated to the arts and creative industries. It covers work in various categories: visual, multimedia, text and music. Browsing the site you will find works of art as well information about festivals and events. Registration as a user, artist or administrator is via an online form.

Archiving Imagination
Time, space, text and multimedia poetry are up for grabs in this project which won support from the Australian government funding and advisory body. Some of the links work in pop-up windows that can get hidden from view, so if you click to no avail check out the windows on the taskbar before giving up and trying somewhere else. There is an interesting section "collabora" composed of fragments passed back and forth between a digital artist and a new media writer as they explored the idea of online collaboration. 

The Art Deadlines List
This comprehensive and fascinating page is a monthly listing of opportunities for art competitions, exhibitions and so forth which can be viewed on the Web or delivered as an email newsletter. Although the events it describes - including writing contests, jobs, scholarships, festivals and funding  - are not always Web based, many are.

Assemblage
Carolyn Guertin is the curator of this guide, hosted by trAce, to new media art subtitled The Women's New Media Gallery. The title, Assemblage, is derived from the theoretical perspective of Jacques Derrida - see the site for more details. The contents range impressively wide and show that there's more to HTML than e-commerce and the ad-hoc shoe-horning of text and graphics on to Web pages. 

The Assoziations-Blaster
Billed as a "text machine" this English version of a German forerunner is set-up to allow users to create and explore writing and linking techniques. It is not too demanding of time, and therefore makes a good basic introduction to collaborative hypertext on the Web. Dive in and take part.

World of Awe
What is love? Good question. You may as well ask an egg as a poet, though. That or visit Yael Kanarek's site where text is never far away from audio in love letters from a World Of Awe. It's worth taking some time to browse and read this visually thrilling site with its crumbs of treasure in a rich world textured with words, visuals and sound.

The Digital Performance Archive
The combination of performance art and digital technologies is catalogued in this database. Examples include onscreen interactive performances, and the use of technology to analyse performances. An Events page provides links to forthcoming digital performances, conferences, and lectures. The archive is a collaborative project involving Nottingham Trent University and the University of Salford.

The Ensemble
Idle curiosity might be enough to entice you into The Electronic Writing Research Ensemble site designed by Teri Hoskin, but that will soon give way to active curiosity as you explore pages that are by turn poetic, graphically rich, humorous and serious. 

It's difficult to categorise the site under one heading, because it attempts so much. However, the poetic impulse is strong. The task of the Ensemble, in their own words, is to "contribute to research on writing, and to writing as research, in the (cyber) way of facilitating a continuing inventive practice, a composing and recomposing, of textuality that is interdisciplinary, poetic, critical, and personal. The Ensemble wishes no reference point, except that of querying 'research' and 'writing'." All that and time-travelling with Rosalind Brodsky too. 

The Ensemble is based in the Experimental Art Foundation, Adelaide, South Australia with an impressive array of grants and assistance from the likes of The South Australian Department for the Arts, the New Media Fund of The Australia Council and The Australian Network for Art and Technology. 

Future Suture
Upgrade your browsers, download some more plug ins, slot in an extra 128 meg of RAM, get yourself a T3 connection too. Which isn't entirely fair, because while it isn't designed for legacy systems, a standard dial-up connection and a fourth generation browser should see you OK at this site. There are four multimedia projects here, and they make demands on the wet ware as well as the hardware accessing the site. If it's interactivity you crave, you've got it here. Even the overarching metaphor of the title is taxing in a way that any Zen master would approve. Visit the artists' worlds and see what you think. Future_Suture, from Perth, Western Australia, is a joint initiative between The Film and Television Institute and IMAGO Multimedia Centre with funding from the Australia Council for the Arts, New Media Arts Fund. 

Insomnia
If you have ever suffered from insomnia this interactive poem will ring more than just bells. Some links take you to other parts of the poem while others open up sound files and short videos. 

Lovebytes
There is plenty to explore at this site. Lovebytes is a Sheffield, UK, company that organises digital arts festivals and provides support for artists working with digital media. Electronic publishing is part of its remit, including the provision of online digital art archives and a portal through which they can be accessed.

mo[ve.men]tion
Firmly at the innovative end of arty Web sites, this will not appeal to lovers of linear narrative (or those who have to pay for the inordinate download times of some of the graphics). It starts with the statement, crossed out, that "today I wanted to see a smear of blood on the bus window". After that, you're on your own in a good-looking labyrinth of post-modern byting of the literary bullet complete with psychopathology, blood puppets, ascii typography as art and more, courtesy of mez - see if you can find the meatbody mug shot. 

The Shock Of The View
The Shock of the View: Artists, Audiences, and Museums in the Digital Age was a six month project lasting from September 1998 to March 16, 1999. It set out to explore the similarities and differences between traditional art and new digital work. Every three weeks new work was added, along the broad themes of object, space, performance, and the hybrid. Commentaries by invited curators, artists, educators, and critics and an ongoing listserv will explore the ways digital media impacts artists, audiences, and museums. The bodies behind the collaboration are: The Walker Art Center, in association with the Davis Museum and Cultural Center, Wellesley College, the San Jose Museum of Art, the Wexner Center for the Arts, The Ohio State University, and Rhizome. 

A Smear of Roses/Hauntings
It's difficult to categorise this site. It has a strong poetic impulse, as well as vivid short haiku-like lines, but the additional use of images, animation and soundtrack add up to something extra: Web poetry and graphics do seem to go together more and more. Francesca da Rimini, an Australian artist/writer has familiarised herself with the new medium that the web/CD-Rom offers and created an impressive work pretty much in a class of its own. Definitely worth looking at but be prepared for some lengthy download times due to QuickTime movies and a RealAudio soundtrack. 

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